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Mohawk

Their untamed love spoke louder than war drums!

1956 1hr : 19m Action · Western ★ 5.6

An artist working in a remote army post is juggling the storekeeper's daughter, his fiancée newly arrived from the east, and the Indian Chief's daughter. But when a vengeful settler manages to get the army and the braves at each other's throats his troubles really begin.

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Is Mohawk right for you?

Why it may be worth watching

  • Mohawk combines Action and Western elements in one feature.
  • The principal cast includes Scott Brady, Rita Gam, Neville Brand.

Who may enjoy it

Best suited to viewers looking for Action, Western. Its shorter runtime also makes it easier to fit into one sitting.

Content notes

A regional age classification is not currently listed. Ratings vary by country; use this as a quick screening note rather than a complete parental guide.

Themes and topics
fortartistnative american

Viewing guidance uses the title details shown on this page; classifications may differ by region.

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Reviews

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CinemaSerfExternal review · ★ 6.0/10

This was clearly just intended as a cheap and cheerful afternoon B feature, and it does that job adequately enough. The hunky, if somewhat wooden Scott Brady is "Jonathan" - an artist who finds himself embroiled in a love triangle between "Onida" (Rita Gam) and "Cynthia" (Lori Nelson) whilst dealing with the much less dangerous threat of a war between the local Mohawk and Iroquois who are being armed and supplied by a nasty sutler content to play one against the other. As usual, Rhys Williams steals his few scenes as the only source of charisma in this …

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This was clearly just intended as a cheap and cheerful afternoon B feature, and it does that job adequately enough. The hunky, if somewhat wooden Scott Brady is "Jonathan" - an artist who finds himself embroiled in a love triangle between "Onida" (Rita Gam) and "Cynthia" (Lori Nelson) whilst dealing with the much less dangerous threat of a war between the local Mohawk and Iroquois who are being armed and supplied by a nasty sutler content to play one against the other. As usual, Rhys Williams steals his few scenes as the only source of charisma in this otherwise entirely procedural western. It doesn't hang about, though - aside from the all too frequent romantic interludes, the story is something from a 1950s comic and moves along quite efficiently. A hero who is guaranteed to save the day and get the gal - regardless of the overwhelming odds stacked against him. The production is very set-bound, which at times is quite noticeable, but I'm sure it had a modest budget and filming timescale and it actually does ok with the mediocre talent at hand to turn out an enjoyable enough, but entirely forgettable, boy's-own style of adventure with a soupçon of moral fortitude thrown in.

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