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Interpol

This Is A Picture About DOPE!

1957 1hr : 32m Crime · Drama ★ 6.4

Spurred on by the death of his drug-addicted sister at the hands of ruthless narcotics kingpin Frank McNally, U.S. drug enforcement agent Charles Sturgis embarks on an investigation that takes him from New York to London, Lisbon, Rome, Naples and finally Athens in pursuit of McNally's shapely associate, Gina Broger.

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Is Interpol right for you?

Why it may be worth watching

  • Interpol combines Crime and Drama elements in one feature.
  • The principal cast includes Victor Mature, Anita Ekberg, Trevor Howard.

Who may enjoy it

Best suited to viewers looking for Crime, Drama. Its shorter runtime also makes it easier to fit into one sitting.

Content notes

A regional age classification is not currently listed. Metadata signals include violence or peril, substance use. Ratings vary by country; use this as a quick screening note rather than a complete parental guide.

Themes and topics
film noirdrug dealingdea agent

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1
CinemaSerfExternal review · ★ 6.0/10

This has got quite a field of recognisable talent, but the story is a bit thin. "Frank McNally" (Trevor Howard) is a ruthless drug dealer who makes a bit of a mockery of the efforts of Interpol to track him down. It's only when he kills the sister of US agent "Sturgis" (Victor Mature) that he finds a foe worthy of him. This fellow is much more determined, and quickly alights on the mule of the operation "Gina" (Anita Ekberg) trailing her all around Europe before finally honing in on his prey as “McNally” plots an huge job in New York. The format of the …

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This has got quite a field of recognisable talent, but the story is a bit thin. "Frank McNally" (Trevor Howard) is a ruthless drug dealer who makes a bit of a mockery of the efforts of Interpol to track him down. It's only when he kills the sister of US agent "Sturgis" (Victor Mature) that he finds a foe worthy of him. This fellow is much more determined, and quickly alights on the mule of the operation "Gina" (Anita Ekberg) trailing her all around Europe before finally honing in on his prey as “McNally” plots an huge job in New York. The format of the storyline takes a bit of a travelogue style and though that does give it some pace, it means we spend way too much time on planes, at airports and touring the sites rather than developing any characters of even a substantial plot. Neither Mature nor Howard really engage, Ekberg has practically no dialogue until the very end and the best effort comes from grifter Bonar Colleano's ("Amalio") who seems way more adept at tracking "McNally" than his policeman buddy. The ending is weak - it's more of a testament to the effectiveness of global policing and communications that it is to a thriller, and I felt the whole thing just lacked oomph.

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