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Tail Spin

WOMEN AIR RACES...Ripping the skies asunder with blinding speed.

1939 1hr : 24m Drama ★ 6.3

Trixie is a female pilot looking to win a big race to advance her career. During one race, however, her plane becomes damaged, and she needs help to repair it. She meets a Navy pilot named "Tex" Price and tries to gain his aid. Tex soon meets another pilot, Gerry, a novice who seeks to win an important upcoming race. Tex, concerned for Gerry's safety, tries to convince her not to race. But Gerry, now a rival of Trixie's, is determined to fly.

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Is Tail Spin right for you?

Why it may be worth watching

  • Tail Spin combines Drama elements in one feature.
  • The principal cast includes Alice Faye, Constance Bennett, Nancy Kelly.

Who may enjoy it

Best suited to viewers looking for Drama. Its shorter runtime also makes it easier to fit into one sitting.

Content notes

A regional age classification is not currently listed. Ratings vary by country; use this as a quick screening note rather than a complete parental guide.

Viewing guidance uses the title details shown on this page; classifications may differ by region.

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1
CinemaSerfExternal review · ★ 5.0/10

Alice Faye tries really hard here as "Trixie" who begs, blags and borrows in order to take part in the "Powder Puff" air race across the USA - the prize is a whopping great $100,000! Her main competitor is the wealthy "Gerry" (pronounced "Gary" - Constance Bennett). What now ensues is a rather procedural rivalry drama peppered with a rather melancholy song from Faye and some really quite good aerial photography. The film itself is nothing at all to write home about. The writing is bland and most of the sound stage stuff set against back-projected scenar…

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Alice Faye tries really hard here as "Trixie" who begs, blags and borrows in order to take part in the "Powder Puff" air race across the USA - the prize is a whopping great $100,000! Her main competitor is the wealthy "Gerry" (pronounced "Gary" - Constance Bennett). What now ensues is a rather procedural rivalry drama peppered with a rather melancholy song from Faye and some really quite good aerial photography. The film itself is nothing at all to write home about. The writing is bland and most of the sound stage stuff set against back-projected scenarios just looks cheap. Joan Davis ("Babe") is enthusiastic enough, providing some light-hearted input but for the most part this is really quite a disappointing rendering of what could have been a much better, more exciting, film. The gorgeous silent film star Charles Farrell ("Street Angel" (1928) and "City Girl" (1930) are great films) chips in now and again, and that helps significantly, but not enough to get this off the ground. Watchable, but forgettable.

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