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Deadsy

Deadtime stories for big folk.

1990 0hr : 5m Animation · Horror ★ 7.0

A graphic interpretation of a man's fascination with weaponry and the sexual power of military aggression, via the story of the Grim Reaper acquiring additional weaponry after undergoing a sex change. Using a combination of live action, laser xerography, hand rendering, and model animation, the film is a companion piece to another Anderson / Hoban collaboration, Door, collectively entitled Deadtime Stories For Big Folk.

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Viewing guide

Is Deadsy right for you?

Why it may be worth watching

  • Deadsy combines Animation and Horror elements in one feature.
  • The principal cast includes Russell Hoban, David Anderson.
  • Nominated for 1 BAFTA Award1 win & 2 nominations total

Who may enjoy it

Best suited to viewers looking for Animation, Horror. Its shorter runtime also makes it easier to fit into one sitting.

Content notes

A regional age classification is not currently listed. Metadata signals include frightening or intense material. Ratings vary by country; use this as a quick screening note rather than a complete parental guide.

Themes and topics
short film

Viewing guidance uses the title details shown on this page; classifications may differ by region.

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Reviews

1
CinemaSerfExternal review

There is something of the macabre meets “Max Headroom” in this lava lamp of an animation. It tell us the story of the aptly named “Deadsy” who starts off with bugs and flies before his killing spree grows to include more substantial vertebrates - all while he adopts the guise of a sexually charged rock god. Clearly an adrenalin junkie, he soon finds that even that isn’t fulfilling enough and so he decides to get some new sex thingies and quite physically flip his vinyl. I did like the aggression pent up in this almost demonic yet curiously unthreatening…

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There is something of the macabre meets “Max Headroom” in this lava lamp of an animation. It tell us the story of the aptly named “Deadsy” who starts off with bugs and flies before his killing spree grows to include more substantial vertebrates - all while he adopts the guise of a sexually charged rock god. Clearly an adrenalin junkie, he soon finds that even that isn’t fulfilling enough and so he decides to get some new sex thingies and quite physically flip his vinyl. I did like the aggression pent up in this almost demonic yet curiously unthreatening mix of the hand-drawn, what looked like a little bit of stop-motion and electrically charged xerographic imagery that is enigmatically ambiguous and certainly innovative. Well worth five minutes, I’d say.

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