Why it may be worth watching
- Baise-moi combines Crime and Drama elements in one feature.
- The principal cast includes Karen Lancaume, Raffaëla Anderson, Ouassini Embarek.
- Viewers currently rate it 4.8/10 from 511 votes.
Movie
Art or Pornography? You be the judge! Complete and Uncut the most controversial film of all time...A hard-core Thelma & Louise.
Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!
More detailsPeople
Karen LancaumeNadine
Raffaëla AndersonManu
Ouassini EmbarekRadouan
Adama NianeMan in Pool Hall
Marc BarrowHotel Receptionist
Patrick EudelineFrancis
Ian ScottRapist
Zenza RaggiBig Guy
Jean-Louis CostesMan in Swinger Club
TitofCute Guy
Delphine McCartyRoommate
Patrick Kodjo TopouWanted
Élodie ChérieDistributor Lady
Viewing guide
Best suited to viewers looking for Crime, Drama, Thriller. Its shorter runtime also makes it easier to fit into one sitting.
A regional age classification is not currently listed. Metadata signals include violence or peril, sexual content or nudity. Ratings vary by country; use this as a quick screening note rather than a complete parental guide.
Viewing guidance uses the title details shown on this page; classifications may differ by region.
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Community
_Baise-Moi_ is, frankly, dreadful. Years ago, I had a flatmate who was obsessed with it—I’ve never understood why. Even setting aside the sex and violence, what remains is a shoddy mess: it looks and sounds like an early 2000s daytime soap, complete with a dreadful soundtrack and incidental music and performances that barely convince. The direction is apathetic at best. I watched it on an old DVD still bearing the BBFC’s cuts, so perhaps the visuals suffered there—but even Arrow’s restoration can’t polish this particular turd. Yes, the sexual violence s…
_Baise-Moi_ is, frankly, dreadful. Years ago, I had a flatmate who was obsessed with it—I’ve never understood why. Even setting aside the sex and violence, what remains is a shoddy mess: it looks and sounds like an early 2000s daytime soap, complete with a dreadful soundtrack and incidental music and performances that barely convince. The direction is apathetic at best. I watched it on an old DVD still bearing the BBFC’s cuts, so perhaps the visuals suffered there—but even Arrow’s restoration can’t polish this particular turd. Yes, the sexual violence still shocks, mainly due to how casually it’s presented. But in the near quarter-century since its release, the film’s once-infamous brutality has been easily surpassed—leaving Baise-Moi exposed as little more than a provocateur with nothing to say. It appears the only reason this film exists is to annoy and piss off the censors—it’s neither exciting, titillating, nor remotely captivating.
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