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Trio

1950 1hr : 31m Drama ★ 6.4

W. Somerset Maugham introduces three more of his stories about human foibles.

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Viewing guide

Is Trio right for you?

Why it may be worth watching

  • Trio combines Drama elements in one feature.
  • The principal cast includes Jean Simmons, James Hayter, Michael Rennie.

Who may enjoy it

Best suited to viewers looking for Drama. Its shorter runtime also makes it easier to fit into one sitting.

Content notes

A regional age classification is not currently listed. Ratings vary by country; use this as a quick screening note rather than a complete parental guide.

Themes and topics
anthology

Viewing guidance uses the title details shown on this page; classifications may differ by region.

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Reviews

1
CinemaSerfExternal review · ★ 6.0/10

Following on from his "Quartet" series from 1948, we have another three short stories with a gently underlying moral message from Somerset Maugham. The first is, in my view, the best: it sees a verger of many years standing (James Hayter) forced to resign by a rather snobbish vicar when it is discovered that he can neither read nor write. Only once he has left the safety of his parochial responsibilities, does he discover a fondness for his landlady (Kathleen Harrison) and a flair for business and is soon proving that his inability was little impediment…

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Following on from his "Quartet" series from 1948, we have another three short stories with a gently underlying moral message from Somerset Maugham. The first is, in my view, the best: it sees a verger of many years standing (James Hayter) forced to resign by a rather snobbish vicar when it is discovered that he can neither read nor write. Only once he has left the safety of his parochial responsibilities, does he discover a fondness for his landlady (Kathleen Harrison) and a flair for business and is soon proving that his inability was little impediment to his happiness and success. The second features an on-form Nigel Patrick as a show-off who manages to alienate just about everyone on an ocean cruise with his rather vulgar, ostentatious manner but yet is not quite as odious an individual as his image presents. Finally, we head to a baronial style castle in the north of Scotland where people are sent to convalesce and recover from tuberculosis. The latter story has the better cast, and a decently interwoven series of stories as the patients try to deal with their illness, and their demons - with mixed results - but even with Michael Rennie, Jean Simmons, André Morrell and a rather enjoyable pairing of John Laurie and Finlay Currie drags on just a bit too long. It's all interestingly linked together by the author, and takes a series of swipes at the British and their attitudes and prejudices in a clever, at times quite witty way.

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